this post was submitted on 18 Oct 2023
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[–] GigglyBobble@kbin.social 40 points 1 year ago (2 children)

So that's why my western war musical failed so hard.

[–] belated_frog_pants 2 points 6 months ago

Just make a documentary about it

[–] bob_lemon@feddit.de 2 points 1 year ago

Great, now I have Texans singing about the Alamo in my head.

[–] morrowind@lemmy.ml 26 points 1 year ago (1 children)

Cool but awful design, why is every graph in a different scale

[–] blindsight 7 points 1 year ago

Depends on the goal of the visualization. This is an excellent choice if the goal is to show relative popularity changes over time, not absolute popularity relative to each other.

That said, the y-axes should be more prominent to draw readers' attention to the differing scales to decrease the chance this graph is misread.

It's also not explicitly stated that movies can be tagged with more than one genre, but, eyeballing the numbers, I'm pretty sure that must be the case.

[–] ILikeBoobies@lemmy.ca 23 points 1 year ago (2 children)

This graph sucks, the y axis differs between the genres

[–] ChaoticNeutralCzech@feddit.de 6 points 1 year ago

Yeah, romance is way past its peak but still above sci-fi + fantasy combined

[–] anarchist@lemmy.ml 4 points 1 year ago (1 children)

It says so in the text there. This feels like the only way anyway, since the boundaries between genres are fuzzy and it's not possible to decisively compare genre tags on IMDB.

[–] ILikeBoobies@lemmy.ca 2 points 1 year ago

Graphs are for visual representation, a table is more apt for what you’re describing

[–] Scrof@sopuli.xyz 21 points 1 year ago

Comedy looks popular but I feel lucky if I watch even one decent one in a given year.

[–] raubarno@lemmy.ml 18 points 1 year ago (3 children)

Unpopular opinion: I hate horror.

[–] LeonenTheDK@lemmy.ca 11 points 1 year ago (2 children)

Personally I only dislike the horror that's purely for jump scares/shock/gore. I find it cheap and not engaging.

[–] dudewitbow@lemmy.ml 6 points 1 year ago

Theres a line between those/slashers and psycological horror, which is probably more in your alley.

[–] Rai@lemmy.dbzer0.com 1 points 1 year ago

I love shitty jump scare horror when I’m faced on molly for some reason. Otherwise I like slow burn horror.

[–] stebo02@sopuli.xyz 2 points 1 year ago

Yeah most horror movies I've watched are plain and boring.

[–] wols@lemm.ee 1 points 1 year ago (2 children)

What do you hate about it?
I'm generally just uninterested in genres I don't enjoy, save for movies that instill and spread hate and intolerance or try to pass off falsehoods as fact.

[–] raubarno@lemmy.ml 4 points 1 year ago (1 children)

I hate horror just because I cannot withstand it and begin panicking. It's damn too stressful, esp. when there's too much stress IRL. That's what I meant.

[–] wols@lemm.ee 4 points 1 year ago

That's fair enough, thanks for elaborating!

I don't like the stress/strain sensations it puts my body through. It's not enjoyable. Being scared isn't fun.

[–] plaguesandbacon@lemmy.ca 15 points 1 year ago

Other than being a crappy design, this graphic is almost 6 years old

[–] dunidane@lemmy.sdf.org 8 points 1 year ago

RIP western

[–] wombatula@lemm.ee 7 points 1 year ago* (last edited 1 year ago)

Nanook of the North (1922) is considered to be the first documentary ever made, so how is there a giant spike on the documentary graph at 1910, and a smaller one shortly after?

[–] DavidGarcia@feddit.nl 5 points 1 year ago

I'm so glad musicals are dying out.

Also the fact that Thrillers and Horrors are steadily becoming more popular is kind of concerning. There seems to be a growing latent appetite for murder in the general population. lol

[–] Kolanaki@yiffit.net 5 points 1 year ago* (last edited 1 year ago)

Bring back westerns and musicals!

Give us Blazing Saddles: The Musical!

[–] Deebster@infosec.pub 4 points 1 year ago (1 children)

What genre are superhero films? Fantasy? Sci-fi? E.g. what is Superman or X-Men?

[–] tycho@lemmy.sdf.org 4 points 1 year ago (1 children)

Both. Maybe leaning a little bit more on sci-fi since they try to explain many things with science like kryptonite. But definitely also fantasy for X-Men, mutants have superpowers because the DNA does ... things.

[–] zagaberoo 3 points 1 year ago (1 children)

I dislike the common definition of sci-fi as science-flavored fantasy. It's just not a useful distinction to me vs plain 'fantasy'. What I love the most about sci-fi is the exploration of what it means to be human by projecting the implications of drastically improved technology. All a matter of taste, of course.

I'm curious, though: why should a kryptonite explanation be any more sciency than mutant DNA? I see one as an entirely unexplained magic rock, and the other as an extension of the scientific triumph of understanding genetics (plus hilariously and deliberately misunderstanding evolution). X-Men is very nearly sci-fi to me; if mutants were a human creation it would be.

[–] tycho@lemmy.sdf.org 2 points 1 year ago (1 children)

I wanted to say that it's hard to define exactly what is or isn't sci-fi. Really I'm just a sci-fi enjoyer and am not qualified to say what is or isn't sci-fi :D

Kryptonite for me is clearly a magic rock but in the movie it is in the realm of their science. Also there was a movie where the existence of superman led to a lot of questioning on its implications in defense politics so it could fit some part of your definition I guess?

So like superman is science-based and X-Men is also you're right and it does clearly ask what it means to be human when there are augmented humans now. So clearly more sci-fi than superman.

But films can be both sci-fi and fantasy. It feels like a sliding rule depending on the amount the universe is based on hardcore science. On the DNA subject, Gattaca is not fantasy but X-Men is.

To me it feels similar to the debate about "hard magic" universes like Eragon (where every spell has a physical toll on the user, or other book series where the magic is really detailed in-universe and only mastered by experts who have to study their whole life for even a basic spell) and "soft magic" like Harry Potter where everyone can cast crucifixion spells at the speed of an automatic rifle (I'm slightly exaggerating).

[–] zagaberoo 1 points 1 year ago (1 children)

Absolutely, genres are muddy bullshit. That's what makes debates like these so fun.

Looking at things from the perspective of the characters is interesting, but I struggle to imagine how kryptonite would be 'science' even in-universe. I guess 'technology' is really what I mean, and kryptonite is a natural element. That's how I see it. There is some engineering around kryptonite-based anti-superman weapons, but that's ultimately ancillary to the philosophical meat of the series.

With Superman being a lens on geoplolitics, it's simply the fact that he's a natural being and not a human engineering accomplishment that makes it solidly not sci-fi to me. Many if not most great works examine the human condition to some extent no matter the genre.

[–] tycho@lemmy.sdf.org 1 points 1 year ago (1 children)

With this technology lens, would Dune still be considered sci-fi? They have different technology sure but in many ways worse than what we have now (except for space travel), they don't have computers and rely on hand to hand combat, their spies cannot hide mics so they hide in walls for days!

It's another hyper militarized universe like what the Cold War has brought but with religion and drugs :^)

[–] zagaberoo 2 points 1 year ago

Perhaps not, interesting example. It's more of a political drama overall, though it's been ages since I read it.

The space travel is just a drop-in for different countries, really. The examination of humanity doesn't extend specifically from the implications of advanced technology; I feel like it could be pretty easily re-framed into a mideval drama about a fief rich in (magical?) opium poppies.

[–] drolex@sopuli.xyz 2 points 1 year ago* (last edited 1 year ago)

It's quite funny that it has become a genre comparable to comedy or thriller. Imagine a genre inspired by Senegalese Fishermen, or Nepalese Yak herders, that becomes 10% of all movies produced.