Entertainment

The news he has Emphysema and is house-bound came out about two days earlier. It was accompanied by rumors that he's retired. He's since said that last part is incorrect ... though perhaps his retirement denial is more for his own sense of self than about the probability of any future work as a director.

Emphysema is a form of COPD or Chronic obstructive pulmonary disease.

“I have to say I enjoyed smoking very much” he wrote “but there is a price to pay for this enjoyment”.

Emphysema is a condition which causes shortness of breath and a persistent cough.

But despite living with it he says he is “filled with happiness” and has thanked fans for their concern.

So what do you think?

Several contestants said that when they had sought out production staff members for assistance with medical care, food and hygiene issues, the staff members were often not helpful and appeared disorganized. Some staff members yelled and cursed at contestants, one participant said.

Despite reassurance that contestants’ medications would be distributed to them when needed, several contestants said they had not received their medication on time — including one contestant who needed insulin — instead receiving it hours, or even days, after their scheduled dosing times. One contestant said she had initially been denied the food she required to take her medication and had been told by staff members that she didn’t actually need to eat. After asking repeatedly, she was given half a banana.

archive | I'm NOT interested in the review, but in the complaint about a generalized movie trend. The author, Louis Chilton, goes on a rant using about what he sees as having gone to far in and overly exemplified by the latest Marvel release:

If we are watching, as some critics have suggested, the death of cinema happen before our eyes, then it’s taken the form of a public execution.

It is a film that is about absolutely nothing – a film with no discernable purpose or artistic ambitions, beyond the perpetuation of its own corporate myth.

He explains a little:

Audiences didn’t love Blade because Snipes just showed up, stood there and barked catchphrases – he was part of a story, with a proper character, and stakes, and intentionality. That Marvel cannot see the difference – or, even worse, if it can see the difference but chooses to ignore it – is surely damning.

We call Deadpool & Wolverine a movie because it is released in cinemas, and is two hours long, but other than these technicalities, it shares almost nothing with a traditional blockbuster, when it comes to intent.

And finally concedes with admonishment:

And of course, people are allowed to enjoy what they like. But freebasing cocaine is surely enjoyable to many people; that doesn’t mean we should all get on board with its production and distribution.

The Man from U.N.C.L.E. is finally streaming, but is it really Armie Hammer time again?

Reservation Dogs, The Gilded Age and The Traitors finally made the cut for the top categories, while Shōgun, The Bear and Abbott Elementary lived up to expectations that they would earn nominations for the 76th annual Emmy Awards, which were unveiled Wednesday morning.

Late Night with Seth Meyers also earned a what-took-you-so-long nomination in Talk Series, while Amazon’s Fallout earned attaboys in Drama Series and Best Actor for Walton Goggins. And straight from the Better Late Than Never department, FX’s now-canceled Reservation Dogs earned its first nomination for Best Drama, as did star D’Pharoah Woon-A-Tai for playing Bear Smallhill.

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In Theaters February 14, 2025

"For 55 years, San Diego Comic-Con has been offering fans and aficionados of all things comic and movie related a place to meet, gawk, show off, and in general bask in their geekery," writes longtime Slashdot reader smooth wombat. "That may be coming to an end. Due to hotels' price gouging the cost of rooms, Comic-Con may be moving." Forbes reports:

"We would never want to leave, but if push came to shove and it became untenable for us, it's something that we would certainly have to look into," said David Glanzer, Chief Communication and Strategy Officer for Comic-Con International, the nonprofit group that puts on SDCC and WonderCon, in a phone interview Monday. "As event planners, we're always contacted by different cities and it would be reckless for us to not at least acknowledge that." Asked if the show was locked in to San Diego for 2025, Glanzer responded, "2025 is when our contract expires, unless something happens before the convention this year. And if so, I imagine we would make an announcement during the show."

The sticking point for the Convention is the behavior of some of the hotels in the area. For decades, SDCC has negotiated block rates for rooms that they offer to out-of-town attendees, exhibitors, professionals and guests at a discount. Typically, the more deluxe hotels within walking distance of the convention center run $275-335/night, and ones further out can be had for as low as $215 through the Con's hotel site for registered attendees. Competition for rooms in the desirable hotels has become so intense that the day the reservations open has become known as "Hotelocapylse."

Recently, Glanzer said some hotels have been making fewer and fewer rooms available in the blocks, knowing they can charge top dollar on the open market. Rates for non-block rooms during Comic-Con weekend at some of the bigger hotels can go for two or three times the ordinary high season rate, and even smaller hotels and Airbnbs in the area charge significantly more to take advantage of the peak demand. Now that opportunistic behavior is threatening to kill the golden goose that brings hundreds of thousands of visitors and hundreds of millions of dollars into the city in a single week.

"If attendees opt not to come because they can't afford to stay at a hotel here, they'll go to another convention," said Glanzer. "And if that starts to happen, the studios won't be able to make as big an impact, and it becomes a downward spiral that no one wants to go down. If we can't accommodate the people who want to attend the show then we're in a pretty bad situation."

"I think there is a belief that because we opened the Comic-Con Museum here [in San Diego] and we have always had the show here, that we are anchored to San Diego and could never leave. Well, we don't want to leave, but we've run conventions in Oakland, San Francisco, Los Angeles, Anaheim, San Jose, and they were very successful. I think there are a lot of cities that would want to accommodate us. In my experience with other science fiction cons I have attended, cities would bid for the convention."

Archive link

Some key excerpts:

Skydance executives who are set to take over the owner of CBS, Nickelodeon and MTV have identified at least $2 billion in cost cuts that can be made at the company, much of it from its linear media operations, according to Jeff Shell, who is slated to be named president of the new entity.

David Ellison, the Skydance chief who will become the CEO of a “new” Paramount, put a spotlight on his plan to boost the media conglomerate with content from his entity, which controls certain rights to top Paramount franchises like “Top Gun” and “Mission: Impossible.” He envisioned a new company that combined Skydance’s animation business with that of Nickelodeon, and CBS Sports with Skydance’s sports documentary division.

Shell indicated a willingness to sell certain non-strategic assets — which he did not immediately identify — and suggested the company hoped to add to the CBS Sports portfolio, which boasts the Masters golf tournament, Big Ten football, part of the NCAA March Madness tournament and NFL rights.

In time, Shell suggested, many of the streaming services were likely to be bundled together. The current streaming experience “‘is not great,” he said, with consumers forced to pay high fees to continue to receive most services. The current consumer experience “is not sustainable,” he added. “I think you already see the bundling process starting to happen,” he said, because consumers may have favorite media brands, but still crave a unified experience. “If you’re in that bundle you’re going to win, and if you’re not, you’re going to be in trouble.”