this post was submitted on 08 Nov 2023
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Synthesizers

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A place for the discussion of all things related to the electronic synthesis of sound.

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The jam station (files.catbox.moe)
submitted 1 year ago* (last edited 1 year ago) by LordXenu@lemm.ee to c/synthesizers@lemm.ee
 

Made a place to jam and have fun while I learn piano and finger drumming in the office. Separating learning from playing has been awesome to have.

Edit: I promise I’ll post the music that I make here! Pictures are good, but I need to back it up with music.

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[–] Underwaterbob@lemm.ee 1 points 1 year ago (4 children)

I wish my office had a Maschine.

[–] LordXenu@lemm.ee 2 points 1 year ago (3 children)

So far just have the software version. Told myself I needed to master the software and navigating the hardware before buying the standalone Maschine+.

For perspective, I’m barely over “what even is a splice, I just want to play clips” level of Maschine understanding.

[–] Underwaterbob@lemm.ee 1 points 1 year ago (2 children)

Haha! Truthfully, I'm not in on the Maschine workflow at all. I use Csound and Reaper to sequence external hardware and use no software synths at all.

[–] LordXenu@lemm.ee 1 points 1 year ago (1 children)

Can I ask how do record each part individually and then layer everything and if so how do you normally work through it all in your head?

[–] Underwaterbob@lemm.ee 1 points 1 year ago

I've got everything going through a patch bay, into a couple of mixers that go into my interface. If I want to rearrange hardware effects (I was a guitarist primarily for many years and have a stack of pedals), I've got the most useful ones in the patch bay, so there is minimal plugging and unplugging at the beginning of a session.

I use a load of different compositional methodologies, but these days, I mostly start with a single idea like an arpeggio, or chord progression, some serial process, or even just a snippet of lyrics that I then build around by adding percussion, harmony, form, etc. etc. I'm a big fan of twentieth century serial, conceptual, minimal, and electronic music like that of Arnold Schoenberg, John Cage, Steve Reich, and Karlheinz Stockhausen, so I definitely tend towards the outre, though I don't turn my nose up at a good banger and a lot of my older output was just me trying to make weird and badass sounding electronic music.