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We live in an era of absurd musical abundance. Streaming services put the (in)complete history of recorded music at our fingertips, with sophisticated recommendation algorithms that promise to tailor us the perfect playlist. More than 100,000 new tracks are uploaded every day to platforms like Spotify, Apple Music or SoundCloud. As the hip-hop innovator Kool Keith put it in a 2020 interview: ‘There’s so much new music out there that it’s just too much for the average antique person.’ It can be too much for any person, antique or otherwise. We’re saturated, inundated with the stuff. But the problem isn’t just abundance: it’s what we do with the musical riches at our fingertips.

Shit in -> shit out 📤

A few months ago, Ian Hogarth wrote the Financial Times Op-Ed headlined “We must slow down the race to God-like AI.”

A few weeks ago, he was appointed head of the UK Foundation Model Taskforce, and given 100 million pounds to dedicate to AI safety, to universal acclaim. Soon there will also be a UK Global AI Summit.

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The EU is ready to agree that immediate open access to papers reporting publicly funded research should become the norm, without authors having to pay fees, and that the bloc should support non-profit scholarly publishing models.

In a move that could send shockwaves through commercial scholarly publishing, the positions are due to be adopted by the Council of the EU member state governments later this month.

Various draft positions on scholarly publishing have been published by the January-June Swedish presidency of the Council in recent months, but with few clues as to how the potentially industry-shaking proposals were being received by fellow member state governments.

Now, however, the latest version published on May 4, which retains the most radical aspects of the earlier drafts, has been agreed “at technical level”, ready for research ministers to give it their assent at a meeting on 23 May.

AI recruitment post as it seems

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